Willoughby Sharp, CLOSED CIRCUIT VIDEO PERFORMANCE, 112 Greene Street Gallery, New York, 1974
Event: November 12, 1974, 12 p.m.
Dimensions: 8.3 x 13.9 cm
Further Information: Sharp, whose practice mainly included video, film, and performance work, also occasionally curated and sold artworks as a dealer. He both curated and participated in this show, titled VIDEOPERFORMANCE, at 112 Greene Street Gallery in New York and included the artists Vito Acconci, Joseph Beuys, Chris Burden, Dennis Oppenheim, Ulrike Rosenbach, Richard Serra, Keith Sonnier, William Wegman. The ninth issue of Avalanche magazine served as a catalogue for the show.
The invitation for this special event, which took place during the exhibition, is handwritten: “At 12 noon on November 16th I shall be locked in a box (8′ x 8′ x 16′) at 112 Greene Street, New York and remain inside it for 300 hours. A closed circuit video system will enable the public to see this performance. Willoughby Sharp.” Staging a Closed Circuit Video Performance, Sharp used a monitoring video technique today mostly referred to in its abbreviation as CCTV, often used by the police and security forces in public spaces. Although concealed in a box, Sharp used CCTV to allow every visitor to see him locked inside for 300 hours. This was not his first closed-circuit performance: in March 1969, he realized the closed-circuit b/w video sculpture Einstein’s Eye, exhibited at the Richard L. Feigen Gallery in Soho, N.Y. In 1971, he curated a four-hour closed-circuit live video performance with Vito Acconci at 93 Grand Street, New York.
Images: Images of the invitation and all other archival documents shown on this page are part of the online collection of Archiv der Avantgarden, Staatliche Kunstsammlungen Dresden.