KUTTNER, LUEG, POLKE, RICHTER, Ladengalerie, Dusseldorf, 1963

Artists: Manfred Kuttner, Konrad Lueg, Sigmar Polke, and Gerhard Richter

Opening: May 11, 1963, 11 a.m.

Duration: May 11–26, 1963

Text: “Malerei und Grafik Sonderausstellung”

Dimensions: 20.6 x 21 cm

Further Information: This iconic exhibition, regarded as the beginning of capitalist realism, began with the friendship of four young artists: Manfred Kuttner, Konrad Lueg, Sigmar Polke, and Gerhard Richter. Kuttner and Richter met in the mid-1950s at the Dresden Academy of Art during the GDR, from which they both fled in the early 1960s. From 1961, Kuttner studied in K.O. Götz’s class at the Kunstakademie Düsseldorf, which was also joined by Sigmar Polke and Konrad Lueg (Konrad Fischer) in 1962. Gerhard Richter attended the open days of the Kunstakademie Düsseldorf in 1961, and met not only his friend Kuttner but also Polke and Lueg. He soon also joined Götz’s class. With reference to earlier artist groups from the 1950s, such as Gruppe 53, Konrad Lueg proposed starting a new artist group that would challenge all existing art forms.

It was only after they had discovered American Pop Art through an article in Art International  (“Dada Then and Now” by Barbara Rose) that all four artists began looking for a space to rent in Düsseldorf in order to hold a group show. They proclaimed this exhibition to be the beginning of German Pop Art. Renting a former butcher shop for 8 days at Kaiserstraße 31a, the artists wrote a press release that stated: “Die Sehenswürdigkeit der Ausstellung ergibt sich aus der Thematik der Arbeiten. Wir zeigen erstmalig in Deutschland Bilder, für die Begriffe wie Pop-Art, Junk Culture, imperialistischer und kapitalistischer Realismus, neue Gegenständlichkeit, Naturalismus, German Pop und einige ähnliche kennzeichnend sind…. Wir sind der Ansicht, daß es für die Wochenschau notwendig wäre, diese erste Ausstellung ‚Deutscher Pop-Art’ zu dokumentieren.” Each square-shaped invitation was unique, holding a different press clipping from Barbara Rose’s article in the center, while text referring to artistic movements and programs mentioned in the article surrounded the clipping.

The exhibition received a lot of positive responses from the media and led all four artists to become well-known. However, within a year the group began to argue, due to competitive behavior and shows that excluded particular group members. After several exhibitions together, for example at Galerie René Block and Galerie Parnass, the artists held their last group show in 1967.


Further Links: A detailed description about the exhibition, photos from the opening event, and information about the artists’ friendship, can be read in German via: http://www.artcontent.de/zadik/default.aspx?s=531

Image: Images of this invitation and all other archival documents shown on this page are part of the online collection of Archiv der Avantgarden, Staatliche Kunstsammlungen Dresden.


Konrad LuegRené BlockSigmar Polke

Gerhard Richter and Konrad Lueg (who later became an art dealer under the name Konrad Fischer) had another exhibition together at Galerie Patio in Frankfurt am Main, titled Die Beste Ausstellung Deutschlands [Germany’s Best Exhibition] in 1966.

Konrad Lueg, Gerhard Richter, "Die beste Ausstellung Deutschland, Galerie Patio, Frankfurt a.M. 1966 (Invitation) Archiv der Avantgarden, Staatliche Kunstsammlungen Dresden
Konrad Lueg, Gerhard Richter, Die beste Ausstellung Deutschlands, Galerie Patio, Frankfurt a.M. 1966 (Invitation) Archiv der Avantgarden, Staatliche Kunstsammlungen Dresden