Charlotte Moorman and Nam June Paik, MIXED MEDIA OPERA, Town Hall, New York, 1968
Program: Nam Jun Paik (pianist) and Charlotte Moorman (cellist)
Event: June 10, 1968, 8:30 p.m.
Dimensions: 43.4 x 21.4 cm
Further information: The artist and cellist Charlotte Moorman and the Korean American artist Nam June Paik began collaborating in the early 1960s and were part of New York’s Fluxus, performance and avant-garde network. Moorman founded the New York Avant-Garde Festival in 1963, which continued until 1980. She often performed topless and, in 1967 during Opera Sextronique (a work devised by Nam Jun Paik), the police arrested her for “indecent exposure”.
On the reverse side of the invitation there are fragments of journalists’ opinions about Moorman’s nudity and why the New York police had charged her, each supporting Moorman and condemning the untimeliness of the guilty verdict. Carman Moore in the Village Voice, in her piece on Moorman’s nudity and it ensuing scandal, described why her art was so timely: “Charlotte Moorman felt a calling. It was her decision to bring onto the already sprawling landscape of music the dimension of sex. And so it was that a free recital was assembled in which she would perform certain works of Paik, Tenney, Kosugi, and Mathews in various stages of flesh exposure; and thus it was that she spent the night in jail explaining artistic theory … another spirit is now abroad…. Its general area is freedom and its specific goal is existential truth, getting down to cases, or, if you prefer telling it like it is.… Charlotte Moorman’ recital is not at all ahead of its time. The law on nudity is behind its time.”
Images: Images of the invitation and all other archival documents shown on this page are part of the online collection of Archiv der Avantgarden, Staatliche Kunstsammlungen Dresden.